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・ Gregorio López (writer)
・ Gregorio López de Tovar
・ Gregorio López-Bravo y Castro
・ Gregorio Manuel Salvador
・ Gregorio Manzano
・ Gregorio Marañón
・ Gregorio Marañón (Madrid Metro)
・ Gregorio Maria Aguirre y Garcia
・ Gregorio Mariani
・ Gregorio Martínez Sierra
・ Gregorio Marzán
・ Gregorio María de Silva y Mendoza, 9th Duke of the Infantado
・ Gregorio Mayans
・ Gregorio Mengarini
・ Gregorio Morales
Gregorio Nardi
・ Gregorio Pacheco
・ Gregorio Pagani
・ Gregorio Paltrinieri
・ Gregorio Panzani
・ Gregorio Papareschi (cardinal)
・ Gregorio Paz
・ Gregorio Peces-Barba
・ Gregorio Peralta
・ Gregorio Perfecto
・ Gregorio Perfecto High School
・ Gregorio Pernía
・ Gregorio Petit
・ Gregorio Petrocchini
・ Gregorio Pio Catapang


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Gregorio Nardi : ウィキペディア英語版
Gregorio Nardi
Gregorio Nardi (born February 3, 1964 in Florence) is an Italian pianist and musicologist.
==Biography==
Gregorio Nardi was born into a family of musicians and writers. He lives and works in the studio in Florence, who belonged to his maternal grandfather Piero Bargellini, mayor of the town in 1966-67, which became Casa della Memoria (Memorial House), and it is open for the public as a Museum.〔(Associazione Nazionale Case della Memoria )〕
Until 1987 he studied piano with his paternal grandparents, Rio Nardi and Gregoria Gobbi (a celebrated piano duo trained at the schools of Giuseppe Buonamici, Ernesto Consolo, Ferruccio Busoni); and, since 1980, with Wilhelm Kempff of whom he was the last pupil.
After the first successes at the international Artur Rubinstein Competition in Tel Aviv (1983)〔(Arthur Rubinstein International Music Society )〕 and Liszt Competition in Utrecht (1986),〔(Internationaal Franz Liszt Pianoconcours )〕 his concerts – broadcast on the radio and television and on the internet – took him to perform in four continents. He collaborated with singers (Suzanne Danco, Marianne Pousseur, Elena Zaremba, Roberto Abbondanza, Mark Padmore, Leonardo Wolovsky), with dancers and actors (Carla Fracci, Vladimir Vassiliev, Italo Dall’Orto, Lina Sastri, Ferruccio Soleri), violinists (Ilya Grubert, Günter Pichler, Tamsin Waley-Cohen, Renato Zanettovich), flautists (Michele Marasco), percussionists (Jonathan Faralli).
He performed with the Jerusalem Symphony Orchestra, Orchestra Sinfonica of Sanremo, Nederlands Philarmonisch Orkest, Noordelijk Filarmonisch Orkest, Het Gelders Orkest, Frysk Orkest, Limburgs Symphonie Orkest, OSS, Orchestre de la RTL, Deutsche Kammerakademie Neuss, Brandenburger Symphoniker, Leeds Youth Symphony Orchestra, Orchestre de Saintes, Orchestra Academia Szczecin, National Academic Orchestra of Bucarest. He also developed his style in playing on ancient instruments, and was invited in France and in Italy by Philippe Herreweghe.
His first Lisztian recording – ''Réminiscences des Puritains'' – was chosen by J. Methuen-Campbell (''Gramophone'', 1990) among the best releases of the year.〔(Gramophone, December 1990 )〕 Since 1997 Nardi has realized under the ''Phoenix'' label two other Lisztian CDs – Composizioni Religiose; Vom Tode – and the first world recordings of unreleased compositions by the young Robert Schumann, by Ferdinand Hummel, by Arnold Schönberg, by Italian authors of the nineteenth century.〔(Vocal Images, Aloma Bardi: Crossroads )〕
As a critic, he began his activity writing for the magazine ''CD Classica'' and for many years has written reviews and articles for the monthly magazine ''Musica'', on topics of music history and historic piano interpretation, and about Jewish composers (also ''The Orel Foundation''〔The Orel Foundation, Gregorio Nardi: The "Aryanization" of Italian Musical Life ()〕)). He taught master classes and university lectures, in Italy and Israel; lessons about Busoni and his pupils (Ecole Normale Supérieure de Musique, Paris 1994), on Schumann and the Romanticism (''Scuola Normale Superiore'', Pisa 2000 e 2001); lectures-recitals about Alberto Savinio (Düsseldorf International Conference, 2001; ''Lenbachhaus'', Munich 2002; Kunstmuseum Winterthur, 2008), about Arnold Böcklin (Basel International Symposium, 2001), about Charles Ives (Syracuse University, Firenze 2004; ''Ecole Normale Supérieure'', Paris 2005), about Brahmsian interpretation (Université Paris8, 2004).
Since 1994, for more than ten years, he was the artistic director of the Musical Society of Santa Cecilia in Crevole (Siena). He collaborates, since the foundation, with ICAMus (The International Center for American Music)〔(ICAMus - The International Center for American Music )〕 for the promotion and diffusion of the American classical music. He is cofounder and artistic director of the FLAMEnsemble – a group of 22 soloists for contemporary music – and of the Florence Chamber Music Festival,〔(Flamensemble )〕 who presented monographic concerts dedicated to Elliott Carter, Klaus Huber, George Crumb, Salvatore Sciarrino, Henri Pousseur, György Kurtág, György Ligeti, John Cage; and other events, with the participation among others of Klaus Huber e Younghi Pagh-Paan, Ursula e Heinz Holliger, Marianne Pousseur, Salvatore Sciarrino.

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